In the last three months I have been interested in the abstract geometric language of
visuality, within it the ’hard edge’. I look for those standards in artists’ works farther away
in time and space which appear in my artworks as well: geometric shapes, more
contrasting, ’harder’ outline, unanimous and powerful colorite. I try to cut out all subject/
narrative features from the world of my paintings, so they represent a kind of conscious
order and balance against ’the complexity of the reality’. Line systems are dominated by
the fundamental geometric shapes: square, circle, triangle. Leaving the path of content
communication and psychic self expression, my paintings do not refer to anything which
would not mean itself, so the ’message’ of the painting clearly refers to its structure and
in rare cases to its materiality. Using acrilic painting, taking colours from the tube without
mixing, applying the paint in stripes with wide brushes and the bright colours report on the
technique, the most important goals of which are limpidity and lucidity. There is no
difference between line and contour, because both of them are the bearers of the main
point of the shape. My intention is that the observational gaze should not feel standing on
a stable ground. I would like to represent an unstable, moving, illusionistic world with my
artworks.